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Intro to Hand Tools (Seminar)

Intro to Hand Tools

I will be participating in the Hamilton Woodworking Show this October. My sessions will revolve around hand tools. The sessions will be virtual and occur over the 2-day period of October 21,22 of 2023. I will provide an introduction to the various hand tools used in woodworking. Since I use hand tools extensively in my furniture making, the hand tools I use most will be introduced and discussed. It isn't necessary to begin hand tool woodworking with a complete set of tools as I will describe. A few critical hand tools will get you going. After some exposure to hand tools, you can then determine other hand tools you need for the type of woodworking you create. Join me on Saturday, Sunday October 21, 22 from 10-11AM at the Hamilton Woodworking Show woodshows.com

Furniture Society (Featured Member)

As a longtime member of the Furniture Society, I am honored to the featured member this week. The furniture Society revolves around a large group of furniture makers. The makers often contribute their time, expertise and knowledge to advance the artisanal furniture movement. The large membership consists of seasoned furniture maker and up and coming makers who share the same passion for furniture making and sharing their knowledge. You can view my work (portfolio) at the main Furniture Society web site as well as the portfolios of other furniture makers, some of which you might be familiar with.

https://www.furnsoc.org

In the Furniture Society own words...

"The Furni­ture Society is a nonprofit, educa­tional orga­ni­za­tion founded in 1996. The Furni­ture Society is the premier non-profit orga­ni­za­tion repre­sent­ing, promot­ing, and connect­ing furni­ture makers, design­ers, collec­tors, cura­tors, educa­tors and manu­fac­tur­ers from around the world.

Over­seen by a dedi­cated Board of Trustees and an Exec­u­tive Direc­tor, The Furni­ture Society works to realize its mission through educa­tional programs, publi­ca­tions, exhi­bi­tions and exhi­bi­tion support, recog­ni­tion of excel­lence in the field, program part­ner­ships, educa­tional grants, work­shop part­ner­ships, and annual confer­ences. With members from across the United States and Canada, as well as numer­ous other coun­tries, The Furni­ture Society repre­sents a broad cross-section of furni­ture makers, museum and gallery profes­sion­als, schol­ars, jour­nal­ists, and others involved with the field of furniture."

To advance the art of furni­ture making by inspir­ing creativ­ity, promot­ing excel­lence and foster­ing an under­stand­ing of this art and its place in society.

Furniture Design (Concepts)

A large component of furniture design is in the conceptual stage. This is where furniture concepts and renderings are hatched and developed. Concepts are put to paper in the form of sketches. Typically, this is an iterative process with elements added or subtracted from previous sketches. Using this approach, a furniture design evolves and will ultimately form the basis for a scale model or prototype of a furniture piece. The conceptual stage of furniture design can be approached using traditional methods such as sketching the designs and then rendering the sketches or drawings. Another approach is to use a computer and CAD software to develop a design. I much prefer the traditional method as I can quickly generate furniture sketches in any scale. The rendering is accomplished through coloring in the elements of the furniture sketch or drawing.

An advantage to traditional pencil and paper sketching is that it is portable and can be performed anywhere. Often, an idea or concept for a furniture design comes to us and we need to quickly get it down on paper or risk losing the idea. A small sketch pad and pencil are the only tools necessary to ideate the vision or design. This allows us to visualize the design that was a few minutes ago only in our minds. We can then work to evolve the sketch or move on to another idea for a furniture design. It is this rapid and iterative process that is critical in ideating a furniture design. I will often convert a sketch into a drawing and then use CAD to create the components and joinery to be used in the furniture piece.

Tambour Display Cabinet

Sketching of furniture designs can be performed simply using a pencil and loose paper or a sketch pad. Practice creating straight lines without a ruler. Learn to use perspective in your sketches and drawings. 2-point perspective (second image) is ideal for most sketching although 1-point perspective does apply to small thumbnail sketches as seen in the first image. Rendering can be accomplished using colored pencils or a set of markers. Designing on paper resolves several issues included the aesthetic and proportions of the furniture. This topic is extensively covered in both my Furniture Design Course and Design to Making Class.

New Course on Social Media Marketing for Woodworkers!

I recently created and released a new course. With the popularity of social media, I felt it is necessary to create a course describing the different platforms and how they can leverage woodworking sales. I combine my personal experience with different social media platforms and which ones I prefer in my own marketing. Each of the most popular platforms is described in-depth with the more common features each has to offer. The advertising and marketing component of each platform is also covered as this is relevant to social media marketing.

One of the first modules discusses how social media can be used to validate you as a woodworker and furniture maker. Towards the end, a module on social media strategy consolidates all the information and discusses best practices in marketing on social media. An example would be where to place your advertising dollars. I provide examples of how my own social media accounts are set up along with ad campaigns I have established.

Start Your Own Woodworking Business (eBook, 130pgs., $15 value) included with course

Quiet Woodworking: In An Unquiet World

This summer has been busy. I have recently completed a new book. The premise of the book is the dichotomy of hand tool woodworking in a modern world. I share my view of how hand tools should be a part of woodworking. Hand tools provide a quiet, dust-free shop environment conducive to better quality craftsmanship. The book not only emphasize this, but I discuss how to introduce efficiency with hand tools through bench appliances and jigs. My argument is with regular use, hand tools provide similar performance results to using machines. We naturally develop techniques to efficiently use hand tools through their use.


I discuss how we need to maintain a tradition of working with hand tools and more so in today's environment where technology permeates our lives. Hand to eye coordination and tactile feedback are two benefits from using hand tools in woodworking. I make a compelling argument for introducing hand tools into woodworking. There has been a resurgence and revival in recent years of using hand tools over machines and this is a positive sign. People are at least aware that machines are there simply for expediency and are ideally suited to production environments.

The book is an interesting read for both established woodworkers and for those starting at woodworking. Book is available as an eBook in the BOOKS tab of the www.woodskills.com site or as a Print book through Amazon.

Quiet Woodworking: In An Unquiet World (woodskills.com)

Peg Boards

Reconfigured a large peg board in my studio recently. The space to the right was needed for a new saw till so I split the original peg board into two sections. Peg boards, a tradition in woodworking shops, are an excellent and versatile method to make several tools available. These are tools that are otherwise difficult to find a place for.

This peg board has been in my recent workshops. It is approximately 25 yrs. old and holding up well. Occasionally, I reconfigure it to make more efficient use of the space, specifically when a new tool is added. As an example, the miter gauge to the right of the larger section is close to my band saw so it is convenient to access. Rules, levels, winding sticks and other awkwardly long tools are ideal for mounting on a peg board.

The second section below is new and ideal for levels, rules and bending curves for furniture design. These tools are otherwise difficult to store and conveniently access. Grouping them together on a peg board is both efficient and practical. The peg board sections are offset from the wall using a grid of 1 X 2 boards. The wood grid provides support and allows hooks to move freely behind the peg board surface. Several small screws indicate the location of the wood support grid.

Birds Mouth Stop

A dilemma that often surfaces is how to hold thin boards vertically to work the edges with a handplane. This is especially a problem if there is no face vise in your workbench or if it is being used for other clamping. This solution incorporates a traditional Birds Mouth stop into a planing board. The Birds Mouth stop is a plug-in accessory and works in conjunction with two wedges. The board to be planed is held tightly vertical using custom wedges. The stop is designed to but against the planing board horizontal stop therefore increasing its strength. The premise of the planing board is to create a secondary surface above the workbench surface to facilitate planing of small parts.

Dowels are used to lock the Birds Mouth accessory into the planing board. The planing board itself attaches to the workbench surface through the use of dowels. Dowel placement is custom to your own workbench. In my case, I have two identically configured workbenches so the planing board is portable between them. I have also developed a version of Birds Mouth accessory that plugs directly into the workbench surface. I use hardwoods for the Birds Mouth accessory, the wedges, as well as the stop on the planing board. The planing board itself is created from dimensionally stable 3/4 in. Baltic Birch plywood. The dowels are both glued and reinforced with short wedges inserted into a kerf sawn into the top of each dowel.

The images below demonstrate how a tall, thin board is wedged into the Birds Mouth accessory. The long edge of the thin board can then be successfully handplaned or jointed without resorting to using a face vise.



Hand Tool Book (new)

I have been busy writing my latest book in the past weeks. It is dedicated to hand tools and techniques to use them. Over the years, I have shifted to hand tools in my furniture studio. Although I continue to use machines to process wood from rough to dressed form, hand tools soon take over. I now enjoy the new quiet, dust-free environment I work in and focus on my work without noisy distractions. The new HAND TOOL WOODWORKING  book describes the hand tools I regularly use in my furniture making. The bench appliances or aids used in my work are also presented. Instead of a general book cluttered with hand tools you might occasionally use, the emphasis here is to describe the tools and techniques used in my furniture making.

Discover how hand tools will improve your woodworking! This 130 pg. (eBook) provides an introduction to common hand tools and the techniques to use them. Embrace a new quieter, dust-free form of woodworking. The hand tools described are the tools used in my furniture making. Workbench techniques and bench appliances to make your woodworking more efficient are discussed. 

Hand Tool Overview
Saws and Techniques
Chisels and Techniques
Hand Planes and Techniques
Sharpening
Workbench Techniques
The Shooting Board
The Bench Hook
The Dovetail Jig
Conclusion

Makers and Furniture

Not long ago, woodworking was considered to be in a downward spiral with diminishing followers and practitioners. Pundits were proclaiming the demise of woodworking as a hobby. Fewer young people were taking up woodworking and interest in building their own furniture was waning. Why bother, with so much commercially mass-produced furniture available at reasonable prices. In addition, style trends come and go and being saddled with an out of style furniture piece became an issue. Staying on top of style trends has become instilled in us through the proliferation of interior design and renovation shows on television. Furniture has slowly become a disposable or recyclable object instead of a heirloom piece to be handed off to future generations. When you think about it, this trend flies in the face of environmentalism and celebrates the creation of even more trash. Out of all this doom and gloom rose the maker movement.

This younger generation of makers has slowly begun to appreciate the creation of things with their hands.  Increased waste going to landfills brought awareness to the never-ending cycle of consumerism. Let's face it, people are much less likely to throw out something they have created themselves. The virtues of designing and making an object has returned people to their heritage of being self-sufficient, inventive and to not be reliant on industrially produced goods. Through handcrafting, people could imprint their own mark on an object and customize the design to reflect their own aesthetic. The current maker movement is simply an evolution of the arts & crafts movement which has defined creative people for countless decades. The maker movement is an updated form of the craft movement where new materials, technology and ideas are being incorporated into craft.

A spin off of the maker movement has been the return to creating one's own furniture. In fact, a large and growing segment of the maker movement revolves around designing and building furniture. The best part of this is how young people have once again embraced the creation of their own furniture for reasons different than in the past. In the past, the younger consumer could not afford furniture so instead built their own. Today, the reasons for building your own furniture revolve around handcrafting, channeling creativity into a furniture design, and the process of creating an object. It isn't so much about the result but the experience of getting there. Younger makers today are turning furniture design on its ear by shunning age old design constructs and paradigms, and instead embracing a fresh outlook on furniture design.

In the past, bolder and radical furniture designs were the product of reclusive studio furniture makers with limited means of communicating with one another. Today instead, younger makers are informed primarily through social media. Practicality and functionality of design have become the new criteria for furniture design. The furniture of this new generation of makers embraces universality and democratizes design. Social media plays an important part in design today within the maker movement. Through social media, furniture designs have become instantly available to both inform and influence other makers. Through social media, makers can quickly adapt an existing design to their own aesthetic or style. The process of fleshing out designs is considerably accelerated through social media and democratization.

So from what I observe, things are looking up for furniture making and woodworking in general. There is a resurgence occurring in this decades old creative outlet. A new awareness of the virtues and benefits of creating objects using wood as a medium is occurring. I am fairly active on social media and an often awed by radical new furniture designs from this new maker movement. Along with this, the democratization of design will hopefully benefit us all as we can extract elements of shared designs to incorporate into our own work.

Sketching + Drawing Furniture

There is an established process to designing furniture. Furniture can range from a standalone cabinet to a chair. It begins with a sketch of a furniture design or furniture concept you have in mind. The sketch evolves into a series of drawings and ultimately into a piece of furniture.

By letting your creative juices flow and simply putting pencil to paper, your designs begin to take shape. Furniture design is an iterative process where one design evolves into another. The term fleshing out is just that, it describes the process of refining a design. Sketching is a crude form of laying ideas on paper. The sketching process rapidly transfers your ideas to paper without technical details. Through sketching, only a few minutes are invested in each sketch so ideas can quickly flow from mind to paper. Drawing is next with either orthographic views or isometric views. An isometric or axonometric view presents an oblique or angled view of the furniture design for improved visualization. You might say this creates a 3-D view of a 2-D object.


The technical aspects of a design, dimensions and components come later in the design process. Although CAD software is available, it can be used later in the technical drawing and rendering stage. Computers excel at rendering images for better visualization. An example would be to rotate an image in space. This feature alone is invaluable in visualizing a design. With an understanding of sketching and drawing, you can move outside your comfort zone and experiment with new, challenging designs. Staying in your comfort zone will keep you from developing new skills and furniture making expertise. Learn more about this in my Furniture Design Class.